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Review of
No More Heroes from Aesthetica magazine Issue No 11 which is
now available from Borders.
Written by Martyn Colebrook
Working-class cultural memoir?
Meditation on the zeitgeist of
Thatcherite Britain? Fictional romp
through the lessons of adolescence? J.
R. Endeacott’s follow-up to One
Northern Soul takes The Strangler’s
music hit as its inspiration and is a
series of riffs and commentaries on the majorities and minutiae
of working-class life in Leeds in the 1970s. With detailed
accounts of football in the park, terrace life at a Leeds United
FC in decline, teenage fumblings and Tetley Bittler, Endeacott
has the material to mature into an interesting raconteur.
Unfortunately, whilst the tales of bravely challenging neo-Nazi
chants, honourably battling the police whilst supporting the
Miners’ Strike and scouring Chapeltown are of interest,
Endeacott’s rendering of obscure personal histories, his graphic
scatological fascinations and the self-congratulatory Jack-thelad
capers are, quite honestly an unnecessary addition to his
writing.
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Nonetheless,
Long and Winding Roads, This Grace Under
Pressure and Under the Influence are humane stories that are
identifiable as those of a writer who has the capacity to
portray
well. The accuracy and depth of his music knowledge is
impressive, as is his penchant for the anecdotal reminiscences
that don’t stray too far from the nostalgic into the mawkish.
Capturing the atmosphere of drug-influenced teenagers
worshipping The Clash, The Rolling Stones and Kraftwerk
immediately locates the era and the brio, recounting the
European glory days of Leeds United and their warfare with
Manchester United and Chelsea hooligans also invokes images
of the social discontent and alienation that J. R. Endeacott’s
community must have felt.
It is evident from the colloquial narrative style that J.R.
Endeacott writes with a voice imbued with authenticity and
passion as he fervently trying to portray his experiences in
Leeds. His determination to avoid safe topics is also admirable
and there are some genuinely strong pieces of prose; the
polemic against Margaret Thatcher, Norman Tebbit and the
Conservative Party is striking and could only have been drawn
from Endeacott’s bleak vision of Leeds in economic, cultural
and social decline.
www.aestheticamagazine.com |
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Meet
the Humbugs, also known as the Humbuggers, a football team
from a Halifax sweet factory. Tim Power reports.
He
did warn me about them, did the young Leeds publisher who
agreed to put their comedy novel Humbugs into
print.
“Craig
Bradley and David Gill are quite a double act”, said
Bob Endeacott. “When I first read their manuscript I
nearly choked on my tea with laughter. That’s why I
chose it to launch the Relish Books
imprint”.
He
was right enough. When the duo came into the Evening Courier
office for a chat I could hardly get a word in. The humorous
patter was pretty much non-stop as they explained who they
were.
So
who are they then? Two 40-something family men, lecturers,
poets and literary types, from Huddersfield and Shipley. They
met at Huddersfield University as mature students doing English
degrees. That was six years ago. Humbugs
is their first collaboration.
It
came about when David saw the potential in Craig’s toffee
factory stories, based on his own experiences at a Halifax
sweet factory. Never mind the name of the factory. It did
actually exist and some of the rumbustious cast of Humbugs
must, I suspect, be based on Craig’s former workmates.
Heavily disguised no doubt.
Crowthers
- Purveyors of Fine Confectionery since 1892 – is a
hell hole of boiling toffee as hot as lava. The team comes
from the dregs of the Minto floor at Crowthers. There is Pincher,
a foul-mouthed sort who does stand up in his spare time and
tells about being abducted, and doctored by aliens. And there’sBig
O, Elvis (real name Tariq), Robbo from the sales office and
forklift driver Tommy Cooper (his real name) in goal. And
then there’s the ladies from the firm, using the word
loosely.
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Spooner
is the manager of Crowther works footie team. He’s an
odd one, a university drop-out who was in the Forces in the
Falklands and in the Force, breaking miners heads during the
strike. A follower of the way of Bushido, a martial arts fanatic,
Spooner tells his team: “When you can’t play for
toffee, you must play for something else”. Something
else means booze and a bit of aggro.
Punchily
written, earthy and pulsing with the rhythms of Halifax vernacular,
and plenty of Anglo Saxon too, Humbugs
has an authentic ring to both the dialogue and the sometimes
absurdist action.
Craig
Bradley’s stories, which underpin the novel, come out
of a peripatetic life which he says: “Meant I’d
had 33 different jobs by the time I was 33”. At our
meeting he started to list them: “Butlins chef, putter
of stripes into humbugs, grave digger, window cleaner, gardener
… it’s easier to say what jobs I haven’t
done”, he laughed.
And
what about his collaborator, David Gill? Not quite such a
job butterfly. Before university he had nine years managing
Ikes Bistro in Leeds. But he had always been into jazz, as
singer and performer.
“We
decided to do the novel after we graduated. Neither of us
had jobs but Craig had written some short stories about the
toffee factory. I came up with the plot and we first adapted
it as a screenplay”.
David’s
involvement in theatre and football brought a narrative arc
to the madcap element of the stories. He says the whole book
looks at the way football and life mirror each other.
And,
without giving the plot away, I can confirm that Humbugs
has some cracking twists and turns which graft darker elements
of satire and subtler elements of allegory onto what is truly
a funny read.
Article
courtesy of Tim Power and the Halifax Evening Courier.
First published: Monday 31st May 2004.
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